If you’re as into Tim Presley’s music as we are – WHITE FENCE, WX, DRINKS and so on – you might want to check out our interview w/ the man in Dynamite Hemorrhage #3.
Galleries
We’ve still got Dynamite Hemorrhage #1 and #2 for sale in our online shop.
Please feel free to order our new one, #3, which just came out last month, from Forced Exposure.
DYNAMITE HEMORRHAGE #3 is now available and shipping.
It features:
- The definitive story of THE VELVET UNDERGROUND APPRECIATION
SOCIETY, as told through an interview with VUAS founder Phil Milstein.
Find out what it was like to lead the secret society of Velvets fiends
in the 1970s and how Milstein managed VUAS with the fans and with the
Velvet Underground members themselves.
- An epic, Homeric oral history of wiry & jagged 1980s San
Francisco pop band WORLD OF POOH, as told by band members Barbara
Manning, Brandan Kearney and Jay Paget themselves, as well as choice
anecdotes from those who witnessed their rise, reign and collapse
- In-depth interviews with four of the finest acts making rock and
roll music in the year 2016: WHITE FENCE (Tim Presley); Portland, OR’s
LITHICS; Oakland’s RAYS and Auckland’s THE COOLIES
- An interview with phenomenal lost folk singer SIBYLLE BAIER, whose
early 1970s recordings from Germany appeared a decade ago and stunned
the world. We found her & gave her the Dynamite Hemorrhage
once-over, and then went and interviewed & celebrated five of her
ghostly folk “heirs” (MAXINE FUNKE, JULIE BYRNE, ALLYSEN CALLERY, JOANNE
ROBERTSON and MYRIAM GENDRON) as well as part of the piece
- “BELOW THE FLYING NUN”, Gregor Kessler’s piece on some of the wildest and most obscure New Zealand 45s of the 1980s
- An interview with SARA FANCY, aka “Sara” from early 80s UK DIY acts
Sara Goes Pop and Amos & Sara. You’ll learn about her journey from
the squats of Europe to the bodybuilding competitions of the 90s to the
tranquil equine therapy practice she leads today. A fascinating glimpse
and first look back she’s given on her time spent making music with Jim
Welton (aka L Voag, Amos etc.)
- The first-ever posthumous interview with early 80s all-female
Belgian punk band UNIT 4, who surfaced on the “FM-BX Society Tape” in
1981 with four amazing songs of shimmering Kleenex/Delta 5/Au Pairs-ish
brilliance.
- David Perron’s “FREE FORM FREAKOUT” column of outside and experimental tape & LP releases from the last year
- Jay Hinman and Erika Elizabeth also wrote 82 record reviews devoted
to the nether regions of sub-underground rocknroll and elsewhere
Here’s a bit of information on Dynamite Hemorrhage #3, as if we haven’t beaten you over the head with it enough. Order directly from these distributors.
Forced Exposure
Revolver
S-S Records
Aquarius Records
Homeless (Australia only)
DYNAMITE HEMORRHAGE #3 fanzine has, in addition to ten different feature articles/interviews (on The Velvet Underground Appreciation Society, Lithics, rare New Zealand 80s 45s, White Fence, Sibylle Baier, The Coolies, World of Pooh, Unit 4, Rays and Sara Fancy, respectively), also reviews a bunch of records, tapes, downloads and what have you.
Here’s who or what we (Jay Hinman, Erika Elizabeth & David Perron) talked about this time:
- Actual Crimes
- Aquarian Blood
- Alex Archibald
- Astor
- Daniel Bachman
- Charles Barabe
- Bent
- Big Bleach
- Black Abba
- Borzoi
- Burnt Envelope
- CCTV
- Le Chemin de la Honte
- The Choo Choo Trains
- Chroma
- Counter Intuits
- CVN
- Departmentstore Santas
- Detective Agency
- Doctor Nod
- The Early Stages
- Estrogen Highs/Frustrations
- Flesh Eaters
- Fossils
- Amy Gassner
- Gauche
- Gentleworms
- German Army
- The Girls
- Goggs
- Helta Skelta
- Hierophants
- Honey Radar
- Hothead
- The Klitz
- Knife Pleats
- Map 71
- Maraudeur
- Mars
- Jackie McDowell
- Andy McLeod
- Mercenarias
- Meyers
- Jenks Miller and Rose Cross NC
- C Joynes/Nick Jonah Davis
- Monoshock
- Moss Lime
- Naked Lights
- New Berlin
- No Ditching
- Octagrape
- Paint Thinner
- Palberta
- Palm
- Pampers
- Patsy
- Primitive Calculators
- Pumice
- Pylon
- Ramleh
- Sacred Product
- Sex Tide
- Shetahr
- Shopping
- Silva/Zetterberg/Lindwall
- Matt Sowell
- The Staches
- St. Vincent & The Grenadines
- Taiwan Housing Project
- Terry
- Undercarriage
- Uranium Club
- UV-TV/Shark Toys
- V/A – “Anxious Color”
- V/A – “Destroy All Art”
- V/A – “The Hardly Music Story”
- V/A – “Indian Talking Machine”
- V/A – “KSE 10th Anniversary Album”
- V/A – “Last of the Garage Punk Unknowns, Vol. 5&6″
- V/A – “Punk 45″ – Akron
- V/A – “Punk 45″ – Cleveland
- V/A – “Punk 45″ – Los Angeles
- Velvet Underground
- L. Voag
- Wall
- Whipper
- Wolfmanhattan Project
- Woolf
- The World
- The Worms
The new issue of DYNAMITE HEMORRHAGE (#3) print fanzine features a 12.5-page “oral history” with San Francisco’s WORLD OF POOH, a big late 80s favorite of our editor, and who each graciously contributed fragments from their fading memory banks in the service of telling what ended up being a pretty fantastically entertaining tale.
The band also have graciously contributed two never-before-heard-in-public live tracks from one of their final shows, one talked about at length in the oral history, from March 11, 1990′s show at Boston’s Paradise Theater on their star-crossed “three-legged goat over the mountains” tour.
You’ll get to hear, with some degree of accuracy, what made them so special at the end of their reign (which happened to be when I saw them a bunch). The songs are “Somewhere Soon“ and a cover of BoC’s “Dominance and Submission”.
Grab them here – and grab Dynamite Hemorrhage #3 here if you’re so inclined.
DYNAMITE HEMORRHAGE #3 is now available and shipping.
It features:
- The definitive story of THE VELVET UNDERGROUND APPRECIATION
SOCIETY, as told through an interview with VUAS founder Phil Milstein.
Find out what it was like to lead the secret society of Velvets fiends
in the 1970s and how Milstein managed VUAS with the fans and with the
Velvet Underground members themselves.
- An epic, Homeric oral history of wiry & jagged 1980s San
Francisco pop band WORLD OF POOH, as told by band members Barbara
Manning, Brandan Kearney and Jay Paget themselves, as well as choice
anecdotes from those who witnessed their rise, reign and collapse
- In-depth interviews with four of the finest acts making rock and
roll music in the year 2016: WHITE FENCE (Tim Presley); Portland, OR’s
LITHICS; Oakland’s RAYS and Auckland’s THE COOLIES
- An interview with phenomenal lost folk singer SIBYLLE BAIER, whose
early 1970s recordings from Germany appeared a decade ago and stunned
the world. We found her & gave her the Dynamite Hemorrhage
once-over, and then went and interviewed & celebrated five of her
ghostly folk “heirs” (MAXINE FUNKE, JULIE BYRNE, ALLYSEN CALLERY, JOANNE
ROBERTSON and MYRIAM GENDRON) as well as part of the piece
- “BELOW THE FLYING NUN”, Gregor Kessler’s piece on some of the wildest and most obscure New Zealand 45s of the 1980s
- An interview with SARA FANCY, aka “Sara” from early 80s UK DIY acts
Sara Goes Pop and Amos & Sara. You’ll learn about her journey from
the squats of Europe to the bodybuilding competitions of the 90s to the
tranquil equine therapy practice she leads today. A fascinating glimpse
and first look back she’s given on her time spent making music with Jim
Welton (aka L Voag, Amos etc.)
- The first-ever posthumous interview with early 80s all-female
Belgian punk band UNIT 4, who surfaced on the “FM-BX Society Tape” in
1981 with four amazing songs of shimmering Kleenex/Delta 5/Au Pairs-ish
brilliance.
- David Perron’s “FREE FORM FREAKOUT” column of outside and experimental tape & LP releases from the last year
- Jay Hinman and Erika Elizabeth also wrote 82 record reviews devoted
to the nether regions of sub-underground rocknroll and elsewhere
Just as with last year’s quick-disappearing 45, those purposely mysteriouso robot-punk spazz-outs from Indiana, CCTV, threw a blitzkrieg practice tape out there last month to see how fast it either vanished or regenerated. It’s the new collector scumbait – free files passed to one or two pimply punks w/ modems, then spread virally.
The band continues to be this phenomenally frantic, tight juggernaut with a Betty Boop vocalist, cramming moves from The Deadbeats, Dow Jones & The Industrials and Devo into sixty-second blast-off canisters. Then, for good measure, they sped up the new tape by a few seconds to amp up the adrenaline. It’s exceptionally blown-out fun, and I really can’t think of a single reason why anyone might want to steer clear.
So to help further their legend, here are the first two CCTV tapes in one convenient place, in case you were in need of hearing them.
Track listing:
“Rehearsal Live Recording”
- Poison Idea Intro
- I’m Annoyed
- Gossip
- Schaumburg Song
- Paranoia
- Quiet
- Mind Control
- Interlude
- Men in Punk
- Shittalker’s Demise
- Outro
“Practice Tape 3.6.16”
12. Song
About Gossip & Inclusivity
13. Song
About Shittalker’s Demise
14. Song
About Anxiety
15. Song
About Schaumburg, IL
16. Song
About Sex In A Can
17. Interlude
1
18. Song
About KnowItAllSayItAll’s
19. Song
About Men in Punk
20. Song
About “……”
21. Song
About a Big Plan
22. Interlude
2
(Originally published on my Agony Shorthand blog in October 2005)
THE FIERY FURNACES – “Rehearsing My Choir”
I attempted some ominous and self-preserving foreshadowing when I reviewed the FIERY FURNACES’ singles collection a couple of months ago, as an ill wind was blowing in from Brooklyn that promised some bitter gruel in the form of what all parties are now bitterly calling “the grandma album”.
Yes, I too was frightened by the concept and knuckleheaded audacity of the Freidbergers’ grandmother singing lead on the band’s new album, but the results are far worse than I expected – and it’s not even Grandma’s fault. Poor Grandma, wanting to support her progeny and their chosen career path in alternative music, forced to give voice to all her old-time stories of relationships & family quarrels & her mundane travels throughout Chicago, all so the kids can giggle and titter about their bold creative masterstroke. You might ultimately get used to the old woman’s voice – which is definitely not a “singing” voice – but you’ll never, ever forgive the band for foisting it on you.
Meanwhile, the Fiery Furnaces, once a rock band, have quickly devolved into pure tin pan alley schtick, full of waltzing pianos, burbling techno nonsense and straight-up 42nd-and-Broadway blather right out of “The Fantasticks” or “Annie Get Your Gun”. You might have previously hated how their songs often stopped on a dime and became something completely different, a tactic they employed on the excellent “Blueberry Boat” to strong effect. Here it’s just going-through-the-motions idiocy, a method delivered on every track just because that’s the way they do things now, not because it sounds good or results in a killer song.
Eleanor Freidberger, she of the deep and playful voice I happily compared to PATTI SMITH not 18 months ago, now annoys every time she speak-sings her lines on this one. Maybe it’s because the band insists on throwing out tons of vague arcana about their former hometown of Chicago in every other breath, which is something that’s ill-making even when a San Francisco band does the same about the neighborhoods I love. Or maybe it’s because Eleanor decided that instead of being a rock and roll singer, the one who blew me away on their debut “Gallowsbird’s Bark”, she’d rather be some nonsense-spouting weirdo gadfly instead. Or one who makes Grandma do the same.
Look, I hate to summarily eviscerate a band that I’ve been holding up as a shining example for others to follow, but “Rehearsing My Choir” is an abomination. Worse, I’m fairly certain that the band knows this. My guess is that the Freidbergers wanted to cleverly make the recorded equivalent of a “Midnight Movie”, something that would garner a cult-ish following from dare-to-be-different alternajerks – but uh oh, they made a steaming pile of crap instead! Unless they come back shortly with a record nearly the equal of their first two, which is unlikely, I think that this month of bad reviews and unsold CDs will be the last month in which the Fiery Furnaces receive any significant attention.
“…I can’t say no to something as snotty, aggressive and abrasive as this, and neither can you.. So don’t”
de/create issue #3 September 1994 (no page #)
MONOSHOCK review by either NICK CAIN or IAIN COWPER-SMITH, Editors
Jay Hinman at @dynamitehemorrhage
In the pre-podcast, pre-iPod, pre-Smartphone age, circa 2000-2001, I was an “online DJ” for a Seattle-based online radio website called ANTENNA RADIO.
It was, alas, based upon 2000-2001 technology, so prepping my DJ-less, voiceless show (a weekly 50s-60s garage punk and R&B thing I did called “No Count Dance Party”) involved recording LPs and 45s onto cassette, then feeding the resulting mix into the computer, then chopping it up into Real Audio files. This process took about 3 hours per week, including the “liner notes” I’d write using Adobe Page Mill.
I found that the Wayback Machine still had some pages saved for Antenna Radio, and thought I’d post a few snaps here for fun.