“The Misfits Versus Los Angeles” – a great feature in an early 90s issue of the much-missed GREAT GOD PAN fanzine.
This pre-ordered book hit my digital reader right before bed last night. So far I’ve only read the intro by someone named “Billie Joe Armstrong” but am looking forward to digging in presently.
A new print history of SLASH magazine is coming out in a month. I’ve been waiting for this for a long time – and really glad to see it will contain an oral history, essays and the like.
It may not be the compleat collection we’ve been begging for, but you can get that here, I guess.
BAGS and OFFS, live at Club 88 in Los Angeles, March 1979.
(Originally written on my Agony Shorthand blog back in 2005 as a review/celebration of 45 Grave’s posthumous “Autopsy” LP)
was a brief period in my life, quite early in my punk fandom, when I
declared to the world that the greatest 45 in the history of punk rock
was this band’s “Black Cross / Wax”. I once stumbled onto college
radio three sheets to the wind and pronounced it so, and proceeded to
emit a ghoulish, gurgling on-mic scream along with Dinah Cancer during
“Black Cross”’s crucial break. Only after years of ridicule and
subsequent therapy can I make my fragile peace with that godforsaken
I bring this up because I’ve seen very few fans hold
this band up for much of anything in the intervening years, except as
one of many cool early 80s bands trolling for gigs in Los Angeles during
a period in which there were plenty. Goths haven’t really fully
embraced them, least not last time I checked, given 45 GRAVE’s
– or at least this album’s – fast, screeching, near-hardcore tempos.
These tempos and the sheer power & speed of the delivery on this
fine record mitigate a whole host of problems, not the least of which is
the lyrics and all the bat/cave/crucifix/coffin tomfoolery they were
came out posthumously in 1987, a lot of us were truly floored, because
outside of “Black Cross” we’d never heard 45 Grave play so fast. They’d made ther mark up to that time with an awful dirgy metal tune called “Party Time” that was on the “Return of the Living Dead” soundtrack, a film soundtrack notable to me in high school because, like “Repo Man”, it had PUNK on it!!!
But “Party Time” blew, as did the majority of the band’s only official LP, “Sleep In Safety”. What I didn’t know until In The Red put out that fantastic CONSUMERS
LP was that the early 45 Grave were a direct outgrowth of that blazing
Phoenix punk band’s 1977 recordings, and that the “Autopsy” recordings
were 45 Grave at their very earliest, ripping it up in fine
full-fidelity style like THE MISFITS and THE BAGS. Since
they featured not only Paul Cutler from The Consumers but Don Bolles
from The Germs & Rob Ritter from The Bags, the tear-it-up pedigree
was highly refined & practiced in the legend-making punk rock dark
arts. And Cutler was bold enough to swipe most of his best songs from
The Consumers, and then re-record them with a female singer & his
hot new band = 45 Grave.
Granted, the horror BS was/is a
little much, but like The Misfits, it was a gimmick that could mostly be
shunted aside if you pretended you’d recently had a partial lobotomy.
Only “Dinah Cancer”’s banshee vocals and some select atrocious lyrics
still make my skin crawl, now that I’ve mentally removed my frontal
lobes. This collection nets you that wild-ass “Black Cross” 45,
certainly one of the top 197 punk 45s of all time, a large batch of
90-second howlers, the novelty “Monster Mash”-like “Riboflavin Flavored,
Non-Carbonated, Polyunsaturated Blood” and even an early “Partytime”
that almost doesn’t suck.
I wasn’t even sure this even made
it out to CD until I read that it’s one of the rarest CDs going, selling
on eBay for $268. Now how do you figure that? I busted the LP out last
week and gave it a full-bosom nostalgia listen, and I can say that the
center still held. Check your local auction listings and keep that
Super-early (February/March 1978) photo of THE FLESH EATERS, just shared by Chris D. on The Flesh Eaters’ revived Facebook page.
MIDDLE CLASS advertisement courtesy of Waitakere Walks, who wrote up a nice piece on non-Hollywood punk rock here.
Read my 2006 interview with The Middle Class’ Mike Atta here.
THE FLESH EATERS, live in 1977. Super early lineup and photo from one of their very first shows. Courtesy of Chris D.
RHINO 39, Los Angeles-based creators of a blazing 1979 single on Dangerhouse (“Prolixin Stomp/Xerox/No Compromise”), as featured within the Munster Records 2xCD collection of all the Dangerhouse singles.